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Lkh​ü​mbe

by Threes And Will

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Massengrab 03:27
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about

Released by the Hungarian label The Level of Vulnerability on a limited edition tape in July 2017. Buy it from the label here - www.discogs.com/Threes-And-Will-Lkh%C3%BCmbe/release/10565972

Some reviews:

'Heavily badly-tripped combination of noise, zoning psychedelia and kraut by this Estonian guy. Music made by cannibals who got their hands on pedals and mics' - bulletproofsocks.blogspot.com/2021/03/bandcamp-friday.html

Strongly embracing the noise and the chaos, Threes And Will sculpt walls of sound on “Lkhümbe”. Drone and noise dominate with little room for much else. Rhythm exists though in an understated way, almost naturalistic the way that it unfurls. Samples are strewn across the album with nary a concern. The focus for these pieces is evolution for how Threes And Will gives the textures real density is quite astounding. Over the course of the tracks they seem to incorporate a strong sense of play into their rather active sonic environments.
With “Lkhümbe Affair” Threes And Will opts for something akin to a gigantic buzzing, letting the sound ebb and flow seemingly at random. Yet with greater attention a peculiar logic to the track appears. Quiet transmissions and eerie guitar atmospherics work in unison on the dreamy feeling of “Massengrab”. Throughout this piece, the sound has an otherworldly approach while it serves as one of the kinder tracks. Absolute pure aural brutality emerges on the insane “Rorke’s Drift”. On this colossal slab, everything is thrown together resulting in a vast swimming drone, one that dives headfirst into outright chaos. “To Be Effective, The Ritual Suicide” chooses a middle ground: while it clearly incorporates some level of ambience into the proceedings, diminishing the overall volume effect, it remains an unseemly beast. A mystical work, “Tune In For The Emperor” allows for a little bit of play. By surrendering to Threes And Will’s overwhelming power on “Lkhümbe” the songs delve into almost a Zen-like quality, with the constantly in flux approach adding to the album’s unusual appeal. - Beach Sloth

credits

released October 10, 2017

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Threes And Will Estonia

In 1953, a dying Aborigine named Kinjika was flown from Arnhem Land in Australia's Northern Territory to a hospital in Darwin. Tests revealed he had not been poisoned, injured, nor was he suffering from any sort of injury. Yet, the man was most definitely dying. After four days of agony spent in the hospital, Kinjika died on the fifth.

One-man band from Estonia.
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